Tag Archive | "Khaled Hafez"

Manifesta 8 abre las puertas de la prisión de San Antón al arte


El artista egipcio Khaled Hafed realizará las primeras visitas guiadas

02.09.10 – 01:48 –

LA VERDAD | MURCIA.
Cerrada recientemente como cárcel, la particular estructura de la prisión de San Antón está siendo acondicionada estos días para funcionar como sede de Manifesta 8, la Bienal de Arte Europea. La antigua prisión fue construida en los años 30 debido a la presión ejercida por el pueblo de Cartagena y por los medios de comunicación locales y su construcción se hizo efectiva por iniciativa de Victoria Kent, Directora General de Prisiones de la época. Entre las acciones que se llevarán a cabo en las celdas destacan, por su carácter didáctico y novedoso, la visita guiada que Khaled Hafez preve realizar como parte de su proyecto artístico el 12 de octubre. Un recorrido basado en la documentación que ha recopilado otro de los artistas que participa en esta bienal, el libanés Abed Anouti.
Sin documentación
Esta colaboración entre los dos artistas es la base para recabar y transmitir más información sobre la prisión, de la que no existía documentación escrita alguna. Las investigaciones realizadas por Anouti constituyen la base de un trabajo que podrá ser ampliado en el futuro y que sienta las bases documentales de uno de los edificios protagonistas de la historia reciente de Cartagena.
La visita guiada que hará Khaled Hafez forma parte de ‘Shaping Perceptions: The self as an affective and effective work of art’ (‘Formando percepciones: uno mismo como obra de arte afectiva y efectiva’) comisariado por el colectivo curatorial Chamber of Public Secrets (CPS), un proyecto que incluye acciones diversas y que intentará interactuar con la población de Murcia en un proceso de intercambio de conocimientos mutuo. Entre las acciones previstas habrá dos vídeos, cuatro programas de radio y una serie de debates en los que el artista será el moderador. Hafez ha estado estos días en Murcia para localizar y grabar la películas que se proyectará en la prisión.

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Se inaugura la Exposicion: “Land of the Hyperreal: the New Egyptian Hybrid Vernacular”


Land of the Hyperreal: the New Egyptian Hybrid Vernacular.

Comisariada por el artista Egipcio Khaled Hafez, se inauguro en el dia de ayer en el Memorial Jose MArti, en la Habana.

Land of the Hyperreal: the New Egyptian Hybrid Vernacular

In the 90s in Egypt, an artistic vernacular style was defined by urban artists that attempted to bridge the gap between Eastern and Western mores and values as transmitted by visual culture. Their approaches and techniques used a hybridized version of East-West visual motifs that questioned the underlying assumptions of consumer culture that had arrived with the flood of Western consumption advertising at the same time as it defined its own home grown aesthetics. Many Egyptian contemporary artists lost interest in critical terms that were used to describe the aesthetics of earlier decades where art was regarded and described as “serving the political cause”. During this time such terms included the local, authentic versus the contemporary, or the intellectual versus the aesthetic. Most of those artists –many of whom lead progressive international careers today– tackle more challenging issues, posing questions that are more philosophical and worldly, in practices that involve documentation, experimentation and docu-fiction. In art projects that raise questions without providing answers, the viewer is entangled in a process of self-questioning about values, relations and other less expressed and talked about givens. Numerous art practices in Egypt today utilize photo-documentation techniques to trace new realities, manipulate the images in ways to enhance the visual message.
The project Land of the Hyperreal that we proudly bring to Cuba today is a curated exhibition that proposes works of Egyptian artists who inspire from or use manipulated photography and / or text, questioning along their processes the influence of practicing photo-documentation and advertising techniques on their personal visual production and the effect of such influence on the novel narrative created. The artists were born and educated in Egypt, and currently live and work in Egypt, and all of the selected artists have exhibited internationally in the past decade.
The term hyperreal is borrowed from Jean Baudrillard’s seminal work on Simulation and Simulacra; his reflections of photography and printed media propagated imagery, and his exploration of the real, the authentic, the counterfeit and his proposal of the hyperreal.

Khaled Hafez, MFA*
*Khaled Hafez is a visual artist who is born in Cairo, Egypt in 1963 where he currently lives and works. His works will be shown in the next Manifesta 8, Murcia, Spain, October 2010 and were shown in the Dakar Biennale 2004 & 2006, the Singapore Biennale 2006, Sharjah Biennale 2007, Guangzhou Triennale 2008, Thessaloniki Biennale 2009, as well as in the Saatchi Gallery and Tate Modern, UK, MuHKA museum of art, Antwerp, Belgium, the Queens Museum and the New Museum NY, USA, as well as in Centre George Pompidou, Paris, France.

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Artistas Representados por la Galería Luz & Suarez del Villar


Adriana Arronte
Alejandro Campins
Alejandro Falconi
Alyuska Rodríguez
Eduardo Hernández
Leonardo Gutiérrez
Maykel Linares
Michel Pérez (Pollo)
Niels Reyes
Osvaldo González
Orestes Hernández
Remberto Ramírez
Rocio García